It’s a great Saturday to catch up on Bootleg Like Jazz – click below for a snippet of our recent episode recapping Insecure on HBO. Entertainment Correspondent Cameron King brings you up to speed on what you missed.
In this installment of Bootleg Like Jazz, Raúl Orlando Edwards joins Q and discusses the history, major contributions and the impact Joao Gilberto had on Bossa Nova. We look into Bossa Nova’s rich origin story in the protests movement, similar to Jazz and later Hip-Hop, that would come to influence much of Brazil throughout the mid 20th century. Our conversation doesn’t end there as we dive into the exchange of cultures between many Black American and LatinX/Afro-LatinX musicians – most notably Quincy Jones and Rahsaan Roland Kirk producing their version of Bossa Nova in “Soul Bossa Nova”. Lastly, we spend time discussing the impact the nylon acoustic guitar and Samba had on the South American continent and beyond.
The UNDERGROUND 3:33 Market convenes once a month to create a marketplace to give local businesses a platform to promote and broaden their customer base while creating a one of a kind experience for the attendees.
The UNDERGROUND 3:33 Market convenes once a month to create a marketplace to give local businesses a platform to promote and broaden their customer base while creating a one of a kind experience for the attendees. Our primary goal is to join as a community to support small businesses in Galveston County and abroad. Join us for food, art, live music, family-friendly entertainment, and performances from local civic groups all in an environment to promote, cultivate and curate local businesses.
Check the full interview with Underground 3:33 Vendors Market here:
Founded by Panamanian-Jamaican artist, Raul Orlando Edwards, Latin Week Houston is the result of over 25 years of performances, productions and community engagement. A journey that began in 1993, Raul has always understood the power the arts have in bringing communities together, in raising awareness on issues, and in transforming lives in a positive way. The City of Houston’s growth in population continues to attract people from around the world which has earned it the designation as “Most Diverse City”. Though an honorable distinction, many areas of the arts do not reflect this fact, especially when looking at Latin American arts presentations. The latter, almost exclusively focuses on the European influences with very little regard to the other major areas that are part of the culture. It is accurate to say that Latin American culture is not Latin American without the Indigenous, the European, the Gypsy and the African. For so long, little or no attention has been given to the undeniable influence Indigenous and African contributions have had in the shaping of the arts, culture and lifestyle in Latin America. This lack of representation was one of the factors that inspired Latin Week Houston. Another factor in the artist’s vision was the fact that though the City of Houston ranks in the top five most populated cities in the country, it did not have an event that strongly and permanently presented the convergence of cultures, music and traditions in one event. Our mission is simple: showcase all influences with dignity and respect while preserving Latin American arts for years to come. From the traditional to current trends, Latin Week Houston’s incredible roster of artists seeks to expose the City of Houston and beyond, with the beauty, the passion and the exuberant energy contained in the many influences that contributed in making Latin American arts what they are today.
In this episode titled Artivism – Artist, Entrepreneur and Author Schetauna discusses her new novel The Experimental City, the impact of Jean-Michel Basquiat on her work and her recent series such as What We Are Not Allowed To Express.
Credits: Schetauna Powell: Facebook = Artivism Community Art Supply | WordPress = artivismcommunityart.com | Youtube = Schetauna Powell